NEW YORK CITY BALLET: PARTITA-SUMMERSPACE-DVG.  Review by Celia Ipiotis


                                             PARTITA with India Bradley and Claire Kretzschmar.
                                             SUMMERSAPCE with Adrian Danchig-Waring, 
                                             Ashley Laracey, Emilie Gerrity.
                                             Photos by Erin Baiano


After a minor delay due to COVID, NYC Ballet opened its doors to dance lovers eager to bask in company premieres and classics. Season festivities bounced open with the premiere of Justin Peck's sneaker ballet Partita. Enriched by Caroline Shaw's  thoroughly intriguing a cappella composition Partita for 8 Voices performed live by Roomful of Teeth, a tribe of 8 dancers mirror the vocals. Dressed in casual shorts, tops and tights, by Reid Bartelme and Harriet Jung, the energized dancers slither through Eva Lewitts whimsical set design of colorful, scalloped fringe.

Frequently cast as the breathing center of Peck's ballets, the serene Taylor Stanley breezes into view, chest open and arms extended in a meditative embrace joined by Harrison Coll. in contrast, Tyler Peck sparkles into action, legs clicking out layered tempi. Overall, these two artists encapsulate the ballet's ethos.

Always able to tap into NYCB dancers' youthful exuberance,  Peck's colloquial moves feed into ballet extensions and voguing style arms signaling cryptic messages. To continue.......

Comments

Post a Comment

Popular posts from this blog

BALLET HISPANICO

Image
Annabelle Lopez Ochoa's Línea Recta (Photo by Erin Baiano) New York, New York June 6, 202- - Ballet Hispanico celebrated its second season at City Center. True to its mission, Ballet Hispanico offers a voice to Latine choreographers as well as stellar dancers. The program opened with William Forsythe’s 1987 duet New Sleep , dedicated to the memory and legacy of Tina Ramirez, founding director (1929-2022). Fatima Andere and Antonio Cangiano, were almost always physically connected in high tech, quick partnering to composer Thom Willem’s aggressive score of metallic clanking sounds. Their exquisite pairing superseded the score, with luscious grand ronde de jambs, attitude pirouettes, torso undulations, arabesques en pointe. In Linea Recta , (2016), choreographer Annabelle Lopez Ochoa has managed to pay homage to flamenco dating back to the 14th and 15th centuries in Spain. She modernizes the form featuring amazing partnering for eight dancers with music by Eri
Read more

DANCE AFRICA

Image
The National Dance Company of Ghana June 1, New York, New York-- The BAM Howard Gilman Opera House hosted DanceAfrica Festival 2023, entitled Golden Ghana: Adinkra, Ananse, and Abusua . Outdoors, a dynamic and crowded African street fair celebrated the culture and spectacle that would soon appear on stage. DanceAfrica’s Artistic Director Abdel R. Salaam hosted the National Dance Company of Ghana, the BAM Restoration Dance Youth Ensemble, and the Dance Africa Spirit Walkers. A two act performance began with Procession . First one drummer and then four more announced a pageantry of dancers, all in glorious costumes, paraded down the aisles from the back, following Candle Bearers in white. Soon children from the BAM Restoration Youth Ensemble pranced, skipped and hopped while honoring the elders, seated in the front row, who were the original founding members of DanceAfrica. DanceAfrica Spirit Walkers Memorial: The Living Adinkra , performed by DanceAfrica’s Spirit Wal
Read more

TRISHA BROWN DANCE COMPANY Review By Jonathan Matthews-Guzman For EYE ON THE ARTS

New York, New York May 10, 2023 -- Trisha Brown Dance Company has joined the pantheon of troupes with dead founders who are looking to living voices to keep their increasingly more versatilely trained bodies in fresh motion. How today’s artistic directors choose who gets to tack onto their institutional legacies is as particular as the culture of each company. The Graham Company, for instance, risks to invite contemporary choreographers who have not necessarily trained in Martha’s technique to create work in conversation with her vast archive. Interestingly, TBDC Associate Artistic Director Carolyn Lucas opted for a more conservative approach, inviting an alum. Judith Sánchez Ruíz danced under Trisha between 2006 and 2009, just missing the creation of "Rogues" in 2011, the program’s opener. At that time, Ruíz was abroad dancing for Sasha Waltz. Her premiere "Let’s Talk About Bleeding" closed the program outlining an intersection of Ruíz’s embodiment of American po
Read more